MICHELLE
MCGEEAN





SHAPING YOUR STORIES

SOUND DESIGN
POST PRODUCTION
TORONTO, ON












Sound Redesign
Rain Scene 
The Long Day Closes,  Terrence Davies, 1992
2026

Software:  Protools,  Soundly, PGPT, Izotope., Elevenlabs, Adobe Premiere
Hardware: AGK 414 and Sennheiser MKE 600 microphones





Sound Redesign
Classroom Scene 
The Long Day Closes,  Terrence Davies, 1992
2026

 Software:  Protools,  Soundly, PGPT, Izotope., Elevenlabs, Adobe Premiere
Hardware: AGK 414 and Sennheiser MKE 600 microphones







Sound Redesign
Nightmare Scene 
The Long Day Closes,  Terrence Davies, 1992
2026

Software:  Protools,  Soundly, PGPT,  Izotope., Elevenlabs, Adobe Premiere
Hardware: AGK 414 and Sennheiser MKE 600 microphones






Sound Design
Demi Reel : Clapping 
2026

Software: Protools, Soundly

Original  material,  theme music created with Protools signal generator.

More to  come!







Sound Redesign & Scoring
Star Hunter,  The Danforth Studios, 2000 - 2004
2026

Software: Protools, Reaper,  Adobe Audition, Soundy
Hardware: AKAI MPK Mini












Sound Redesign
Pacific Rim, Guillermo del Toro,  2013
2026

Software: Protools, Reaper,  Adobe Audition, Soundly







Scoring
Sacrifice, Andrei Tarkovsky,  1986
2026

Software: Protools, Reaper,  Adobe Audition
Hardware: AKAI MPK Mini







Sound Art
2H_C3_A2_C2_2B_G#2
2026

Software: Protools, Reaper,  Adobe Audition, Vital, Helm, Adobe Audition.

MIDI and recordings of drawing , erasing, and a pencil dropping were edited by changing pitch, reversing and separating transients to create clip-like sounds.  These were then set into a Protools timeline for their placement.









Information



Michelle McGeean
michelle.mcgeean@gmail.com



Toronto-based sound designer Michelle McGeean is pursuing a career in audio post production as a sound editor for film and television. Given the fact that sound provides a tactility to images, her background in sculpture and visual arts provides her with a unique approach to immersive sound design and spatiality.

Specializing in backgrounds, SFX and foley, McGeean is the one making bumps in the night, shaping immersive soundscapes which help shape the stories you want to tell.

Education




2026
George Brown Polytechnic: Sound Design & Production Program (Postgraduate)

2011
Western University: Master of Fine Arts 
Thesis: “Tit-for-Tat: (Re)Productions in Sculpture & Architecture”

2008
The University of Lethbridge: Bachelor of Fine Arts (with Honours) 

2007
Fanshawe College: Fine Arts 3 Year Diploma (with Honours)